Saturday, March 23, 2019

Werther as the Prototypical Romantic in Sorrows of Young Werther Essay

Werther as the Prototypical amorous in Sorrows of one-year-old Werther In Goethes Sorrows of Young Werther, the protagonists characteristics and ideas define him as the prototypical romantic personality. The Romantic Movement emphasizes emotion over flat coat, an idea that Werther emulates throughout his life. Werther recognises pastoral settings in nature, he feels most in touch with his emotions. He rejects rationality and complexness with the sentiment that life is an adventure to be guided by intuition. Werthers proclivity for his love, Lotte, is a paradigm of the Romantic concept of sehnsuch(prenominal)t, ones constant yearning for something that they ordain never possess or know. Werther finds Lotte to be the object of his hopeless desire, but social conventions of a cosmea based on reason keep her just out of his reach. His unrequited passion for Lotte finally destroys him as his frustrated melancholy drowns both(prenominal) other aspect of his personalit y. Werthers love of the countryside illustrates his appreciation of the untamed emotion to be found in indwelling settings. He believes that an artist can only become great by drawing nature scenes, and considers those who do not appreciate the beauty of the world to be unhealthy. Werther escapes the rules and regulations that saturate the rational world in pastoral settings such as Wahlheim, where he finds that I can be myself and experience every happiness known to man (43). He can best whiz the presence of God and his spiritual self in nature, and develops some of his deepest connections with Lotte. Werther is profoundly saddened when someone with no feeling at all for the few things on this earth that are of real value cuts down the beautiful walnut trees in f... ...iliar sense of yearning that will never be fulfilled. Werther realizes that closing is the only agency to end his misery. Like the insane man take flowers, Werther has found Lotte as his reason, but death i s the only way to lose it again. Werther is deeply sympathetic for the murderer at Wahlheim because he feels every bit of his hopelessness and sees the mans fate as his own. The judge reasonably refuses to reign the law merely because the man allowed emotions to control his actions, and his words, The man is doomed, might as well have been directed to Werther (106). Werther is helpless to his longing, bringing him to his sad end, helpless in a fantastic sensitivity and infinite passion (107). travel CitedGoethe, Johann Wolfgang von. The Sorrows of Young Werther. Trans. Elizabeth Mayer and Louis Bogan. 1774 New York Random House, 1970.

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